“We have to fight for so many rights that are just given to men, which is bullshit. The fact that people connect with helps give me a vocation.” But if I can make it any easier, then I want to. She believes her upbringing has directly influenced her musical style, which she best describes as “a mutt,” though it often falls under R&B on streaming services. But no matter what she’s categorized as, or what playlists her singles may appear on, Reyez feels strongly about the album as a format. The hourlong project comes to a close with “Figures,” a choice, says Reyez, she made later in the process as “a nod to Kiddo, because that is what gave me momentum.” On the current iteration of the Before Love Came to Kill Us tracklist - which, true to her word, Reyez has switched up a handful of times - there are ballads like the lush “ Love in the Dark,” trap-influenced tracks like the flex “ Ankles” and the stripped-down “La Memoria,” which she sings in Spanish.
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